Upon reaching the ashrama, the king saw Shakuntala watering the plants, accompanied by her friends, named Anasuya and Priyamvada. The fawn fled to the ashrama of Sage Kanva, and the king followed it. The Mahabharata states that King Dushyanta was once hunting in the forests, when he struck a fawn with his arrow.
Bharata's exploits as a child prince are dramatised in Kalidasa's poetic play Abhijñānaśākuntalam. He was originally named Sarvadamana ("the subduer of all") the Mahābhārata traces the events in his life by which he came to be known as Bharata ("the cherished").
Literature Īccording to the Mahabharata ( Adi Parva), Bharata was the son of King Dushyanta and Shakuntala and thus a descendant of the Lunar dynasty of the Kshatriya Varna. The story of his parents and his birth is related in Kalidasa's famous play, Abhijñānashākuntala.Īccording to popular tradition, Bhārata, the traditional name of the Indian subcontinent, is named after Bharata. The legend of Bharata is featured in the Adi Parva of the Mahabharata, where he is mentioned as the son of Dushyanta and Shakuntala. The Bhāratas, a prominent historical tribe mentioned in the Rigveda, are regarded in Hinduism to be the descendants of Bharata. He is regarded to be the ancestor of the Pandavas, the Kauravas, Brihadhrata, and Jarasandha. He is a member of the Chandravamsha dynasty, and becomes the Chakravarti (universal monarch). For other uses, see Bharat (disambiguation).īharata ( Sanskrit: भरत, romanized: Bharata) is a legendary king featured in Hindu literature. For character from Hindu Epic Ramayana, see Bharata (Ramayana). As it is, each episode of either of the two shows takes nearly a day for dubbing in Marathi, with costs ranging between Rs 1.5 to Rs 2 lakh per episode, according to industry sources.Īccording to Patil, 6:00 -7:00 pm is a good time to air these shows however Madison Media COO Karthik Lakshminarayan feels prime time would have been more suitable.This article is about legendary king Bharata of Mahabharata. Once the market is open for mythology, we can shell out more," replies Patil, adding that there's a lot of scope for showcasing mythological tales from Marathi literature. "We are spending a lot on dubbing to establish them. The question however remains whether Marathi GECs will be willing to spend several times more on original mythological shows. Mahaparv will also serve as an experiment in how well (or otherwise) mythology is received by the Marathi audience. The whole idea behind spending so much is that the whole network gets to share it," explains Star Pravah programming head Jayesh Patil, pointing out that the astronomical costs involved in producing such shows was the very reason they hadn't been tapped so far by the Marathi GEC space. "The Marathi space has been missing this genre and these two shows are the network's prime properties. Jayesh Patil is confident that the two shows will work wonders for the Marathi GEC genre
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